I needed to work on something that wasn't going to send me over the edge or make me feel any more bad about myself - the pants are threatening to do both.Besides dsd#1 breezed through for a quick 36 hour stay, and I wanted to get at least one test garment done before cutting into the blue silk that is due here next Friday for the dress for the wedding.
Turns out, she's also in need of 3 more dresses for Sorority Rush functions next month. She managed to carve out an additional 36 hours on top of the original, and I've barely left the sewing room since she arrived Wed evening. ....not true, we had a girls night with the three of us hijacking the TV from dh and watching Project Runway.
We spent a bit of time pulling out stash fabrics and me just giving up and saying ok to whatever she wants to use.
She needs a Black and Cream formal (short dress) for Rush, a Bright or Colored formal (short), as well as several more casual looks.
The above will work as one of the required "bright/colored" dresses.
Remember the muslin I made to come up with a design that worked for the Blue silk dupioni?
I wanted to test out the bodice in silk. Katie chose a piece of cream silk shantung I had, and a remnant of a red print crepe de chine. In order to make it a different dress than the blue silk will be she decided to go "halter" on the top, and selected a straight skirt. The print placement on the skirt was determined solely by how much fabric I had. I know that the match of the pattern on the back could have been better, but, I didn't have any more fabric.
Good thing I was able to do this while she was here. Even though the bodice was all draped in muslin, the silk underlined with organza drapes differently and changes needed to be made. Anyway, you can see that it's pinned to an acceptable fit, and I just need to translate that to a pattern for the blue, before I stitch it all together.
I'm going to construct the lining with some boning in the back to eliminate that falling down, scrunchy look, and peg the skirt a bit before hemming. She's promised me finished pics after I get them mailed to her. I'll post the finished pics then.
oh, and re the pattern for the blue silk: I also started over completely, ditching the paper pattern step, and draped the skirt for the blue right on her. It's less bulky in the front and prettier. I threw the other pattern/muslin for that skirt away already.
Next up:

I also draped a muslin for the "Cream and Black" dress she needs, then cut it out of the same silk shantung, mounted it on silk organza and got it basted together for first fitting. Unfortunately, I didn't get any pics of it on her. The skirt will be overlaid with a piece of black lace.
Katie is almost 22 and going through that change from young girl dresses to a bit more sophisticated older looking dresses, and it's a bit of a learning curve for both of us. She's really loving the diagonal lines right now, as they help to give the illusion of more of a nipped in waist than she has naturally. She's also never purchased or worn dresses that are this fitted, with straight skirts, as she doesn't fit one off the rack.
I give her a lot of credit that she is at least willing to listen to me and try some things, and I give myself a pat in that I'm breathing deep and just doing some of what she's asking for. The compromise seems to be yielding dresses that are pretty, and youthful, and sexy without going over the edge to slutty, and we're both happy.
I also got a muslin made up for this OOP Vogue pattern - very 40's glam,
and she's tagged a great piece of black/cream chiffon that I had in stash.
I need to get these mailed by the end of July, as she needs them for Rush at the end of the first week in August.
Oh, and I have to finish up another game-day dress in red/black and white.

The important thing to note is you must match the inseams on your pants pattern correctly. Maching just the crotch points isn't correct and it won't give you the right answer.













I started this as a bench cover. It's going to end up on the boat though, as a back pillow. It's really long. It's probably my longest running Work-In-Progress.











